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	<title>The Clive Davis Institute &#187; events</title>
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		<title>Recorded Music Announces Spring 2012 Collaboration with The Recording Academy to Present &#8220;The Music Business NOW&#8221; in LA, CA! &#8211; REGISTER NOW!</title>
		<link>http://clivedavisdepartment.com/2011/10/27/musicbusinessnow/</link>
		<comments>http://clivedavisdepartment.com/2011/10/27/musicbusinessnow/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 18:01:20 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[alumni]]></category>
		<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>
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		<description><![CDATA[The Clive Davis Institute of Recorded Music Tisch School of the Arts &#124; New York University and The Recording Academy® present The Music Business NOW: How It Really Works and the People and Events that Influence It The Clive Davis Institute of Recorded Music &#124; Tisch School of the Arts &#124; New York University and The [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-1847" href="http://clivedavisdepartment.com/2011/10/27/musicbusinessnow/musicbusinessnow_banner/"><img class="aligncenter size-full wp-image-1847" title="musicbusinessnow_banner" src="http://clivedavisdepartment.com/wp-content/uploads/2011/10/musicbusinessnow_banner.jpg" alt="musicbusinessnow_banner" width="425" height="113" /></a></p>
<h2><span style="color: #800080;"><span style="font-weight: bold;">The Clive Davis Institute of Recorded Music<br />
Tisch School of the Arts</span> <span style="font-weight: bold;">| New York University and<br />
The Recording Academy®</span></span></h2>
<p><span style="font-weight: bold;">present</span></p>
<h2><span style="font-weight: bold;"><span style="color: #800080;"><strong>The Music Business NOW:</strong><br />
<strong>How It Really Works and the People and Events<br />
that Influence It</strong></span></span></h2>
<p style="text-align: justify;"><span style="color: #000000;">The Clive Davis Institute of Recorded Music | Tisch School of the Arts | New York University and The Recording Academy® join together to connect the best and the brightest executives in our business with the next generation of artists, managers, and marketers of recorded and live entertainment. The digital age has forced massive changes on the entertainment industry; how do you develop, distribute, and market artists and their work in this brave new world? This in-depth master class series provides perspectives on this and other vital questions from some of the most influential people in the business, as they directly address new artists&#8217; development; branding and marketing; building and maintaining a fan base; new strategies for the Internet and wireless technologies; online and digital marketing; touring and merchandising; retail sales; music publishing; film, television, and games; radio and video promotion; and much more. It&#8217;s a basic tenet that personal relationships are crucial in any business, and this is especially true in the music industry, which is vastly influenced by a handful of key executives.</span></p>
<p style="text-align: justify;"><span style="color: #000000;">This master class series features an extensive list of guest speakers, panelists, and lecturers, enabling students to meet and interact with major players in the business. Courses will be hosted in the private, 200+-seat Ray Kurtzman Theater at <strong>Creative Artists Agency </strong>in Los Angeles, CA.</span></p>
<h2 style="text-align: justify;"><span style="color: #800080;"><strong>DETAILS ON THE MASTER CLASS SERIES:</strong></span></h2>
<p><strong>WHEN IS IT </strong>- Wednesdays, 7PM-10PM &#8211; from January 25, 2012 to April 25, 2012</p>
<p><strong>WHERE IS IT </strong>- hosted in the private 200+ seat Ray Kurtzman Theater at Creative Artists Agency, 2000 Avenue of the Stars, Los Angeles, CA 90067</p>
<p><strong>WHO IS ELIGIBLE </strong>- This master class series is <span style="font-weight: bold;">not</span> for college credit; therefore, it is open to <strong>anyone </strong>with an interest in the music industry!</p>
<p><strong>HOW MUCH DOES IT COST </strong>- $680 (*Current members in good standing with The Recording Academy® are eligible for a $100 discount on the registration fee. All Academy members claiming the promo discount will need the code provided by The Recording Academy®.)</p>
<p><strong>PRIORITY REGISTRATION DEADLINE </strong>- January 18; rolling registration after January 18, pending space available</p>
<h2><strong><span style="color: #800080;">SCHEDULED GUEST SPEAKERS:</span></strong></h2>
<ul>
<li><span style="color: #000000;"><strong>Irving Azoff</strong>, CEO, TicketMaster/LiveNation, manager of Christina Aguilera, Van Halen, The Eagles</span></li>
<li><span style="color: #000000;"><strong>Michael Rapino</strong>, CEO, LiveNation</span></li>
<li><span style="color: #000000;"><strong>John Branca</strong>, Senior Partner, Ziffren Brittenham &amp; Branca, LLP, Co-Executor of the Estate of Michael Jackson</span></li>
<li><span style="color: #000000;"><strong>Rob Cavallo</strong>, CEO, Warner Bros Records, Chief Creative Officer, Warner Music Group</span></li>
<li><span style="color: #000000;"><strong>Steve Berman</strong>, Vice Chairman and President of Sales and Marketing, Interscope Records</span></li>
<li><span style="color: #000000;"><strong>Jody Gerson</strong>, Co-President, Sony/ATV Music</span></li>
<li><span style="color: #000000;"><strong>Jon Platt</strong>, President, Urban Music, EMI Music Publishing</span></li>
<li><span style="color: #000000;"><strong>Cameron Strang</strong>, President and CEO, Warner/Chappell Music</span></li>
<li><span style="color: #000000;"><strong>Tom Sturges</strong>, Executive VP, Creative, Universal Music Publishing Group</span></li>
<li><span style="color: #000000;"><strong>Gregg Sowders</strong>, Senior Vice President, Warner/Chappell Music</span></li>
<li><span style="color: #000000;"><strong>Kevin Weatherly</strong>, Program Director, KROQ and JACK-FM</span></li>
<li><span style="color: #000000;"><strong>Neil Portnow</strong>: President/CEO, The Recording Academy (GRAMMY Awards)</span></li>
<li><span style="color: #000000;"><strong>Nic Harcourt</strong>, Editor at Large, Music &amp; Culture, <em>Los Angeles Times</em></span></li>
<li><span style="color: #000000;"><strong>Rob Light</strong>, Managing Partner/Head of Music, CAA</span></li>
<li><span style="color: #000000;"><strong>Amy Doyle,</strong> Senior Vice President, Music and Talent, MTV</span></li>
<li><span style="color: #000000;"><strong>Mark Williams</strong>, Senior Vice President, A&amp;R, Columbia Records</span></li>
<li><span style="color: #000000;"><strong>Ian Montone</strong>, CEO, Monotone Management (Jack White, The Shins, Foster The People, Cold War Kids)</span></li>
<li><span style="color: #000000;"><strong>Jim Guerinot</strong>, President, Rebel Waltz Management (No Doubt, Gwen Stefani, Social Distortion, The Offspring, Trent Reznor, Hot Hot Heat)</span></li>
<li><span style="color: #000000;"><strong>Steve Schnur</strong>, Worldwide Head Of Music, EA Videogames</span></li>
<li><span style="color: #000000;"><strong>Mark Shimmel</strong>, Head of Music, Turner Networks, Music Consultant, Kennedy Center Honors</span></li>
</ul>
<p><span style="color: #000000;">…and more to be confirmed!</span></p>
<h2><strong><span style="color: #800080;">INSTRUCTORS:</span></strong></h2>
<p><strong>JEFFREY JAMPOL</strong>, President of <strong>JAM, Inc</strong>., manages rock legends <strong>The Doors</strong>, and the Estates of <strong>Jim Morrison</strong>, <strong>Janis Joplin</strong>, <strong>Peter Tosh</strong>, and <strong>Rick James</strong>. Mr. Jampol won the <strong>2011 GRAMMY</strong><strong>®</strong><strong> Award,</strong> along with Dick Wolf, as a producer of The Doors&#8217; theatrical documentary narrated by Johnny Depp, <em>When You&#8217;re Strange – A Film About The Doors</em>, and was nominated for an <strong>Emmy</strong><strong>®</strong><strong> Award</strong> in 2010. Mr. Jampol also serves as a consultant to the <strong>Estate of Michael Jackson</strong>, and counsels managers, publishers, labels, and artists&#8217; estates on catalog, publishing, licensing, branding, merchandise and marketing. He is a voting member of <strong>The Recording Academy®</strong>, where he sat on the Board of Governors of the Los Angeles Chapter from 2007-09, and is also a member of the <strong>Academy of Television Arts &amp; Sciences</strong><strong>®.</strong></p>
<p><strong>LENNY BEER,</strong> co-founder and Editor-in-Chief of <strong>HITS Magazine</strong> and <strong>HitsDailyDouble.com</strong>, the music industry’s most widely read trade publication. He’s also a co-founder and principal of <strong>The MGMT Company</strong>, which guides the careers of <strong>30 Seconds to Mars</strong>, <strong>Bush</strong>, <strong>Andrew W.K.</strong>, <strong>The Airborne Toxic Event</strong>, <strong>The Bravery</strong> and other acts. The Bronx native received his BA from Carnegie-Mellon and his MBA from NYU. Lenny has also served as producer on several theatrical productions, notably Suzan Lori-Parks’ Pulitzer-winning, <strong>Tony</strong><strong>®</strong><strong>-nominated</strong> <strong><em>Topdog/Underdog</em></strong>, starring Jeffrey Wright and Mos Def, and is an active member of <strong>The Recording Academy<sup>®</sup></strong>. An avid golfer, he lives in Los Angeles with his wife, noted producer Suzi Dietz; they have two children and two grandsons.</p>
<p><strong>IAN ROGERS</strong>, CEO, <strong>Topspin</strong>, has been building digital media applications since 1992.  Prior to Topspin, Rogers was VP Music and Video for <strong>Yahoo</strong>, President/CTO of Mediacode, creators of an early &#8220;music in the cloud&#8221; service, President of New Media for the <strong>Beastie Boys</strong> and their <strong>Grand Royal </strong>label, and part of the Nullsoft team who created Winamp, SHOUTcast, and Gnutella.</p>
<p><strong>BRUCE RESNIKOFF</strong><span style="text-decoration: underline;">,</span> President &amp; CEO, <strong>Universal Music Enterprises</strong>. the U.S. catalog and ancillary marketing entity for the Universal Music Group, oversees integrated marketing campaigns, direct to consumer programs, brand management initiatives and strategic partnerships. He is also one of the founders of <em>NOW! That&#8217;s What I Call Music, </em>the most successful U.S. music compilation series in history. Resnikoff is a member of the Executive Board of the <strong>City Of Hope&#8217;s Music &amp; Entertainment Division</strong> and is on the Board of Directors of the <strong>Rhythm &amp; Blues Foundation</strong>.</p>
<p><strong>DAVID DORN</strong>, Senior Vice President, Global Sales &amp; Digital Strategy, <strong>Rhino Entertainment (a Warner Music Group Company)</strong>. Mr. Dorn oversees the digital future of Rhino&#8217;s vast and historically rich catalog of recorded masters (Aretha Franklin, Ramones, Frank Sinatra, and Led Zeppelin, among numerous others). He also oversees Rhino&#8217;s International business and is a voting member of <strong>The Recording Academy<sup>®</sup></strong>.</p>
<h2><strong><span style="color: #800080;">MUSIC BUSINESS NOW &#8211; MORE INFORMATION!</span></strong></h2>
<h3><span style="color: #800080;"><span style="color: #000000;"><br />
WEB |</span> <a href="http://clivedavisinst.tisch.nyu.edu/object/musicbusinessnow">http://clivedavisinst.tisch.nyu.edu/object/musicbusinessnow<br />
</a></span><strong><span style="color: #800080;"><span style="color: #000000;"><br />
FACEBOOK | </span></span><a href="http://www.facebook.com/musicbiznow">http://www.facebook.com/musicbiznow<br />
</a></strong><strong><span style="color: #800080;"><span style="color: #000000;"><br />
TWITTER | </span></span><a href="http://twitter.com/musicbiznow">http://twitter.com/musicbiznow<br />
</a></strong><strong><span style="color: #000000;"><br />
REGISTER NOW | </span><a href="https://web.ovationtix.com/trs/pe/9363745">https://web.ovationtix.com/trs/pe/9363745<br />
</a></strong><strong><span style="color: #800080;"><span style="color: #000000;"><br />
EMAIL | </span></span><a href="mailto:musicbusinessnow@nyu.edu">musicbusinessnow@nyu.edu</a></strong></h3>
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		<title>NYU STUDENTS ONLY &#8211; Def Jam @ 25 &#8211; &#8220;Def Jam Recordings: The First 25 Years of the Last Great Record Label&#8221;</title>
		<link>http://clivedavisdepartment.com/2011/10/12/defjam25/</link>
		<comments>http://clivedavisdepartment.com/2011/10/12/defjam25/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 16:51:53 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[music Industry]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[students]]></category>

		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1828</guid>
		<description><![CDATA[Tisch School of the Arts, New York University Department of Photography &#38; Imaging and The Clive Davis Institute of Recorded Music jointly present DEF JAM @ 25 A conversation event with BILL ADLER, Def Jam&#8217;s founding publicist CEY ADAMS, Def Jam&#8217;s founding creative director and graphic designer, and DAN CHARNAS, author of “The Big Payback: [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left; "><a rel="attachment wp-att-1832" href="http://clivedavisdepartment.com/2011/10/12/defjam25/defjam_web-2/"><img class="size-full wp-image-1832 aligncenter" title="DefJam_web" src="http://clivedavisdepartment.com/wp-content/uploads/2011/10/DefJam_web1.jpg" alt="DefJam_web" width="546" height="303" /></a><br />
<strong><span style="color: #800080;"> Tisch School of the Arts, New York University<br />
Department of Photography &amp; Imaging</span></strong><br />
and<br />
<strong><span style="color: #800080;"> The Clive Davis Institute of Recorded Music</span></strong></p>
<p>jointly present<br />
<strong><span style="color: #800080;"> DEF JAM @ 25</span></strong></p>
<p>A conversation event with<br />
<strong><span style="color: #800080;"> BILL ADLER</span></strong>, Def Jam&#8217;s founding publicist<br />
<strong><span style="color: #800080;"> CEY ADAMS</span></strong>, Def Jam&#8217;s founding creative director and graphic designer, and<br />
<strong><span style="color: #800080;"> DAN CHARNAS</span></strong>, author of “The Big Payback: The History of the Business of Hip-Hop”</p>
<p>Celebrating the release of their new Rizzoli New York book</p>
<p><span style="color: #800080;">DEF JAM RECORDINGS: THE FIRST 25 YEARS OF THE LAST GREAT RECORD LABEL</span></p>
<p><span style="color: #800080;">ABOUT DEF JAM</span><br />
Def Jam Recordings was started by young entrepreneurs Russell Simmons and Rick Rubin in the early 1980s, out of Rubin&#8217;s Weinstein Hall dorm room. 25 years later, the once-independent label has launched the careers of some of music&#8217;s greatest superstars (L.L. Cool J, Run D.M.C., Beastie Boys, Jay-Z, Ludacris, Ja Rule, Rihanna, Ashanti, and Kanye West, etc) and changed the face of global youth culture.</p>
<p><span style="color: #800080;">ABOUT THE BOOK</span><br />
Celebrating the company&#8217;s 25th Anniversary, the just-released book Def Jam Recordings (Rizzoli New York) is a stunning oral history of Def Jam in the words of its artists and top executives, taken from interviews and seamlessly told as a narrative of no-holds barred recollections and anecdotes.</p>
<p><span style="color: #800080;">ABOUT THE EVENT</span><br />
During this rare conversation event, authors Bill Adler, Cey Adams and Dan Charnas will present a video/slide lecture and Q&amp;A about their new book.  The discussion will be moderated by Tisch Photography and Imaging Chair, Deborah Willis and Recorded Music Artistic Director, Jason King.</p>
<p><span style="color: #800080;">WHEN:</span> Monday October 17, 2011, 7:00PM-9:00PM<br />
<span style="color: #800080;"> HOW MUCH:</span> Free for NYU students, faculty and staff<br />
<span style="color: #800080;"> WHERE:</span> TSOA Dean&#8217;s Conference Room, 721 Broadway, 12th floor</p>
<p><strong><span style="color: #800080;">RSVP is REQUIRED:</span></strong> <a href="http://clivedavisinst.tisch.nyu.edu/object/defjam25">http://clivedavisinst.tisch.nyu.edu/object/defjam25</a></p>
<p><em>Seating for this event is very limited; first-come, first-served.<br />
A valid NYU ID is required for entrance to the building.</em></p>
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		<title>NYU STUDENTS ONLY &#8211; RSVP NOW: ASCAP Songwriting Series with Benny Blanco!</title>
		<link>http://clivedavisdepartment.com/2011/10/04/bennyblanco/</link>
		<comments>http://clivedavisdepartment.com/2011/10/04/bennyblanco/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 14:15:40 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[music Industry]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[students]]></category>

		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1778</guid>
		<description><![CDATA[The Clive Davis Institute of Recorded MusicTisch School of the Arts, New York University presents the ASCAP SONGWRITING SERIES with BENNY BLANCO Benny &#8220;Blanco&#8221; Levin is an American Writer/Producer. Raised in Reston, Virginia and currently living in Manhattan, Benny is responsible for such Top 40 Hits as Tik Tok, California Gurls, Teenage Dream Dynamite, We [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #800080;"><span style="font-weight: bold;">The Clive Davis Institute of Recorded Music</span><br style="font-weight: bold;" /><span style="font-weight: bold;">Tisch School of the Arts, New York University</span></span></p>
<p>presents</p>
<p><span style="font-weight: bold;"><span style="color: #800080;">the ASCAP SONGWRITING SERIES with BENNY BLANCO</span></span></p>
<p><a rel="attachment wp-att-1787" href="http://clivedavisdepartment.com/2011/10/04/bennyblanco/blanco/"><img class="aligncenter size-full wp-image-1787" title="blanco" src="http://clivedavisdepartment.com/wp-content/uploads/2011/10/blanco.jpg" alt="blanco" width="290" height="163" /></a></p>
<p>Benny &#8220;Blanco&#8221; Levin is an American Writer/Producer. Raised in Reston, Virginia and currently living in Manhattan, Benny is responsible for such Top 40 Hits as Tik Tok, California Gurls, Teenage Dream Dynamite, We R Who We R, Stereo Hearts, Moves Like Jagger and many more.  After getting his start in music as a rapper, Benny has developed into one of the top producers of today&#8230;all by the age 23.</p>
<p>Benny will visit Recorded Music for three different sessions.  In this first session, Benny will share his journey in the industry, and also discuss proper Music Business Etiquette and the tools you need to succeed as a producer and songwriter.  In the following two sessions, Benny will deconstruct some of his most popular songs and explain his songwriting techniques, processes, and some tricks of the trade so that you can write the next big hit!</p>
<p><span style="color: #800080;"><span style="font-weight: bold;">Friday, October 7th @ 4:00pm</span><br style="font-weight: bold;" /><span style="font-weight: bold;">19 University Place, Room 102</span></span></p>
<p><span style="font-style: italic;">This event is OPEN TO ALL NYU STUDENTS. RSVP is required.<br />
Seating is limited; first-come, first-served.</span> <span style="font-style: italic;">There are no plus ones for this event.</span> <span style="font-style: italic;"><br />
A valid NYU ID is required for entrance to the building.</span></p>
<p>This event is graciously underwritten by the <a href="http://www.ascapfoundation.org/newgrants2011.html">ASCAP Foundation Bart Howard Fund</a>.</p>
<p>To RSVP: <a href="http://clivedavisdept.tisch.nyu.edu/object/bennyblanco">http://clivedavisdept.tisch.nyu.edu/object/bennyblanco</a></p>
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		<title>NEW!! &#8211; Wintersession 2012: Study Abroad in Jamaica</title>
		<link>http://clivedavisdepartment.com/2011/08/29/remujamaica/</link>
		<comments>http://clivedavisdepartment.com/2011/08/29/remujamaica/#comments</comments>
		<pubDate>Mon, 29 Aug 2011 17:42:10 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[alumni]]></category>
		<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[future music moguls]]></category>
		<category><![CDATA[music Industry]]></category>
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		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1672</guid>
		<description><![CDATA[Oh Yeah! You read that right. NEW!! &#8211; Wintersession 2012: Study Abroad in Jamaica&#8230;and who better to study abroad with in Jamaica, than our very own Vivien Goldman? This awesome BRAND SPANKIN&#8217; NEW 4-credit study abroad opportunity is open to ALL REMU MAJORS, NON-REMU MAJORS, NON-NYU VISITING STUDENTS&#8230;so start generating buzz NOW, cuz we want [...]]]></description>
			<content:encoded><![CDATA[<div style="line-height: normal; font-size: medium; text-align: justify;"><a rel="attachment wp-att-1728" href="http://clivedavisdepartment.com/2011/08/29/remujamaica/jamaica-flyer-3/"><img class="aligncenter size-large wp-image-1728" title="Jamaica Flyer" src="http://clivedavisdepartment.com/wp-content/uploads/2011/08/Jamaica-Flyer2-879x1024.jpg" alt="Jamaica Flyer" width="562" height="655" /></a></div>
<div style="line-height: normal; font-size: medium; text-align: justify;"><span style="color: #008000;"><span style="font-weight: bold; line-height: 12px;">Oh Yeah! You read that right. </span><strong>NEW!! &#8211; Wintersession 2012: Study Abroad in Jamaica&#8230;and who better to study abroad with in Jamaica, than our very own Vivien Goldman? This awesome BRAND SPANKIN&#8217; NEW 4-credit study abroad opportunity is open to ALL REMU MAJORS, NON-REMU MAJORS, NON-NYU VISITING STUDENTS&#8230;so start generating buzz NOW, cuz we want this program to happen, people!!</strong></span></div>
<div style="font-family: Cambria; line-height: normal; font-size: medium;">
<h3 style="margin-top: 0px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px; font-weight: bold; line-height: 1; color: #40b78c; padding: 0px;"><span style="font-size: small;"><br />
</span></h3>
<h1><span style="font-size: small;"><span style="color: #ff0000;">ABOUT THE STUDY ABROAD COURSE:</span></span></h1>
<h4 style="margin-top: 0px; margin-right: 0px; margin-bottom: 1px; margin-left: 0px; font-weight: bold; line-height: 1; padding: 0px;">IREMU-UT.1800    History &amp; Criticism   4 Credits</h4>
<p style="font-family: Cambria;">Instructor(s): Vivien Goldman</p>
<h4 style="margin-top: 0px; margin-right: 0px; margin-bottom: 1px; margin-left: 0px; font-weight: bold; line-height: 1; padding: 0px;">Monday-Sunday | January 3-14, 2012</h4>
<p style="font-family: Cambria;"><span style="font-style: italic;">Please note: this course takes place on location in Jamaica</span></p>
<p style="font-family: Cambria; text-align: justify;">Jamaica has had more influence on American popular music than any other island, partly due to the unprecedented international impact of Bob Marley. His success was rooted in the rich traditions of Jamaican music, which fuse African retention from slavery days with re-interpretive absorption of African-American music and the quadrilles and classical music of the slave-owners, who relied on enslaved musicians for their entertainment. Today, the impact of Jamaican music is arguably broader than ever, as it has shaped contemporary sounds such as Hip Hop and Reggaeton, which dominate the vast Spanish-speaking market in the U.S, all across South America, and beyond.</p>
<p style="font-family: Cambria; text-align: justify;">In this course, students will have experiences that build their knowledge of Jamaican culture and its function in politics, society, art, and the community as well as stimulate their own creativity. To learn about Jamaican music&#8217;s past, present and future, students will be immersed in dynamic cultural and experiential activities such as: a tour of Studio One, experience a Rasta Grounation, a workshop on how to build a drum, visits to historical music studios and radio stations, guided tours around historical reggae sites, live concerts, museums, and much more. Students will meet key politicians (Minister of Culture and Youth, Olivia “Babsy” Grange), artists (leading dancehall producer, Steven ‘Di Genius’ and his father, Studio One veteran and reggae legend, Freddie McGregor, legendary guitarist Earl “Chinna” Smith), executives (Chris Blackwell, Founder Island Def Jam), and cultural advocates who have kept Jamaica at the forefront of music and whose job it is to nurture Jamaican culture in these challenging times for the entertainment industry.</p>
<h1 style="text-align: justify;"><span style="font-size: small;"><span style="color: #ff0000;">ABOUT THE INSTRUCTOR:</span></span></h1>
<p style="font-family: Cambria; text-align: justify;"><a href="http://clivedavisinst.tisch.nyu.edu/object/goldmanv.html">Vivien Goldman</a> is a London-born writer, broadcaster, adjunct professor and post-punk musician. She previously developed and taught courses in Reggae and Punk for the Clive Davis Institute. Her journalism appears in the New York Times, Black Book, the UK Observer and New Statesman. The most recent of her five books is &#8220;The Book of Exodus: The Making and Meaning of Bob Marley and the Wailers&#8217; Album of the Century,&#8221; (Three Rivers Press/Random House) which was described as &#8220;vivid and intimate&#8221; by Rolling Stone. Her second book on Marley, it includes the brief period she spent as his PR at Island Records before the band was famous, right after her graduation from university in the early 1970s.</p>
<p style="font-family: Cambria; text-align: justify;">After quitting Bob&#8217;s PR to become a full-time journalist in the UK rock weeklies, Goldman continued a lengthy association with the label, covering many of their other artists such as Grace Jones, Kid Creole and the Coconuts, Aswad, Burning Spear and U2. Combined with her connections with the early US hip-hop movement, as Def Jam was forming, Goldman&#8217;s course offers a unique and revealing insight into the progress of one indie label, an industry &#8212; and an entrée to parallel worlds that co-exist within popular music itself.</p>
<h1 style="text-align: justify;"><span style="font-size: small;"><span style="color: #ff0000;">MORE INFORMATION:</span></span></h1>
</div>
<div style="font-family: Cambria; line-height: normal; font-size: medium; text-align: justify;">This course is open to all NYU students and visiting students. If you would like to be considered for this study abroad course in Jamaica, you must fill out the <a href="http://specialprograms.tisch.nyu.edu/object/wshowtoapply.html">program application</a>. Winter session tuition will be available in October. Please visit the NYU Bursar&#8217;s <a href="http://www.nyu.edu/bursar/tuition.fees/winter.html">website</a> for details. *Note: In addition to the tuition, this course has a nonrefundable program fee of $1,965.</div>
<h3 style="padding-left: 30px;"><span style="color: #008000;">Please contact Tisch-Special Programs for more information.<br />
721 Broadway, 12th Floor<br />
212.998.1500<br />
<a href="http://clivedavisinst.tisch.nyu.edu/object/remujamaica.html">http://clivedavisinst.tisch.nyu.edu/object/remujamaica.html</a></span></h3>
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		<title>SUMMER 2011 CLASSES IN RECORDED MUSIC</title>
		<link>http://clivedavisdepartment.com/2011/03/18/summer2011remuclasses/</link>
		<comments>http://clivedavisdepartment.com/2011/03/18/summer2011remuclasses/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 20:51:44 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[alumni]]></category>
		<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[masterclass series]]></category>
		<category><![CDATA[music Industry]]></category>
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		<category><![CDATA[students]]></category>

		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1553</guid>
		<description><![CDATA[ENROLL NOW FOR SUMMER 2011 RECORDED MUSIC COURSES! Summer 2011 Recorded Music courses are open to any H.S. graduate and run from May 23 &#8211; August 12. Find 3-week courses and 6-week courses&#8230;courses for college credit and not for college credit&#8230;and lots of options to fit your busy schedule! This summer, we&#8217;re offering courses in: [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a rel="attachment wp-att-1571" href="http://clivedavisdepartment.com/2011/03/18/summer2011remuclasses/summer-courses-2011-2/"><img class="aligncenter size-large wp-image-1571" title="Summer Courses 2011" src="http://clivedavisdepartment.com/wp-content/uploads/2011/03/Summer-Courses-20111-777x1024.jpg" alt="Summer Courses 2011" width="498" height="655" /></a></p>
<h1><span style="color: #800080;"><a href="http://specialprograms.tisch.nyu.edu/object/recmusicsum.html">ENROLL NOW</a> FOR SUMMER 2011 RECORDED MUSIC COURSES!</span></h1>
<h2><span style="font-weight: normal; font-size: 13px;">Summer 2011 Recorded Music courses are open to any H.S. graduate and run from May 23 &#8211; August 12. Find 3-week courses and 6-week courses&#8230;courses for college credit and not for college credit&#8230;and lots of options to fit your busy schedule!</span></h2>
<p><span style="font-weight: normal; font-size: 13px;"><br />
</span></p>
<h2>This summer, we&#8217;re offering courses in:</h2>
<h2 style="font-size: 1.5em;"><span style="text-decoration: underline;"><br />
MUSIC PRODUCTION</span></h2>
<p><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1009.html">Beats &amp; Beatmaking</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1020.html">Fundamentals of Audio Workstations I</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1021.html">Fundamentals of Audio Workstations II</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1022.html">Producing Music with Software &amp; MIDI I</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1023.html">Producing Music with Software &amp; MIDI II<br />
</a><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1501.html">Practical Recording Techniques I</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1502.html">Practical Recording Techniques II</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1700.html">Producing with Bob Power: A Masterclass</a><br />
<a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1701.html">The Art of Mixing with Kevin Killen: A Masterclass<br />
</a><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1702.html">DJ History, Culture, and Technique with DJs Rekha and Shiftee</a></p>
<h2><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1023.html"></a><span style="text-decoration: underline;">MUSIC BUSINESS</span></h2>
<p><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1037.html">Internship/Career Skills for the Music Entrepreneur<br />
</a><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1270.html">Social Entrepreneurship in the Music Industry</a></p>
<h2><span style="text-decoration: underline;">MUSIC HISTORY &amp; CRITICISM</span></h2>
<p><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1107.html">Topics in Recorded Music: Punk</a></p>
<h2><span style="text-decoration: underline;">MUSICIANSHIP &amp; PERFORMANCE</span></h2>
<p><a href="http://clivedavisdept.tisch.nyu.edu/object/remuut1340.html">Image Development for the Performing Artist</a></p>
<h1><span style="color: #800080;">For more information, call 212.998.1500.</span></h1>
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		<title>NYU COMMUNITY: Me, the Mob, and the Music-Q&amp;A with Tommy James</title>
		<link>http://clivedavisdepartment.com/2011/02/17/tommyjames/</link>
		<comments>http://clivedavisdepartment.com/2011/02/17/tommyjames/#comments</comments>
		<pubDate>Thu, 17 Feb 2011 18:44:27 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[announcements]]></category>
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		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1541</guid>
		<description><![CDATA[The Clive Davis Department of Recorded Music Tisch School of the Arts, New York University is proud to present Me, the Mob, and the Music Presentation, Q&#38;A, and Book Signing with Tommy James Friday, February 25 @ 4:00pm 194 Mercer Street, Dennis Riese Family Recording Studio 510 Everyone knows the hits &#8212; &#8220;Mony Mony,&#8221; &#8220;I [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a rel="attachment wp-att-1542" href="http://clivedavisdepartment.com/2011/02/17/tommyjames/coverart-book/"><img class="aligncenter size-full wp-image-1542" title="CoverArt-book" src="http://clivedavisdepartment.com/wp-content/uploads/2011/02/CoverArt-book.jpg" alt="CoverArt-book" width="406" height="614" /></a></p>
<p><strong>The Clive Davis Department of Recorded Music<br />
Tisch School of the Arts, New York University</strong></p>
<p>is proud to present</p>
<p><strong>Me, the Mob, and the Music<br />
Presentation, Q&amp;A, and Book Signing with Tommy James</strong></p>
<p><strong>Friday, February 25 @ 4:00pm</strong><br />
<strong>194 Mercer Street, Dennis Riese Family Recording Studio 510</strong></p>
<p>Everyone knows the hits &#8212; &#8220;Mony Mony,&#8221; &#8220;I Think We&#8217;re Alone Now,&#8221; &#8220;Crimson and Clover,&#8221; and &#8220;Crystal Blue Persuasion.&#8221; They are nuggets of rock and pop history. However, few know the unlikely story of how these hits came to be.</p>
<p>Hear the story and listen to some music from the man himself! Come prepared &#8211; purchase your copy of his book, &#8220;Me, the Mob, and the Music&#8221; for 20% off from the NYU bookstore. There will be time for a book signing at the end.</p>
<p>This is a free event for all NYU students, faculty, staff, and affiliates, and will be filled to capacity. You must RSVP to attend. There are no plus ones allowed. Photo ID is required for entrance to the building.</p>
<p>To RSVP: <a style="font-family: verdana; font-size: 11px;" href="http://clivedavisdept.tisch.nyu.edu/object/tommyjames">http://clivedavisdept.tisch.nyu.edu/object/tommyjames</a></p>
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		<title>NYU COMMUNITY: Collecting Records, Collecting Culture with Matthew Barton</title>
		<link>http://clivedavisdepartment.com/2011/02/17/matthewbarton/</link>
		<comments>http://clivedavisdepartment.com/2011/02/17/matthewbarton/#comments</comments>
		<pubDate>Thu, 17 Feb 2011 18:40:29 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>
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		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1520</guid>
		<description><![CDATA[The Clive Davis Department of Recorded Music Tisch School of the Arts, New York University is proud to present Collecting Records, Collecting Culture Presentation, Q&#38;A with Matthew Barton Curator of Recorded Sound at the Library of Congress, Packard Campus for Audio Visual Conservation Tuesday, February 22 @ 4:00pm Dept of Cinema Studies &#8211; Michelson Theater, [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a rel="attachment wp-att-1521" href="http://clivedavisdepartment.com/2011/02/17/matthewbarton/tom-millrt-event/"><img class="aligncenter size-full wp-image-1521" title="Tom Millrt Event" src="http://clivedavisdepartment.com/wp-content/uploads/2011/02/Tom-Millrt-Event.jpg" alt="Tom Millrt Event" width="496" height="642" /></a></p>
<p><strong>The Clive Davis Department of Recorded Music<br />
Tisch School of the Arts, New York University</strong></p>
<p>is proud to present</p>
<p><strong>Collecting Records, Collecting Culture<br />
Presentation, Q&amp;A with Matthew Barton</strong><br />
Curator of Recorded Sound at the Library of Congress,<br />
Packard Campus for Audio Visual Conservation</p>
<p><strong>Tuesday, February 22 @ 4:00pm<br />
Dept of Cinema Studies &#8211; Michelson Theater, 721 Broadway, Room 648</strong></p>
<p>The Library of Congress&#8217; recorded sound collection holds more than three million individual items and is still growing as both new and old recordings are added. This presentation will look at the way that the collection is curated and preserved, how it is used by the public, how it reflects history and culture, and the impact of the Library of Congress&#8217; own recording activities. Mr. Barton will speak about records and formats, describe the Library&#8217;s collection, and play examples of rare and significant 78 rpm and other recordings. Q&amp;A following the presentation.</p>
<p>This is a free event for all NYU students, faculty, staff, and affiliates, and will be filled to capacity. You must RSVP to attend. There are no plus ones allowed. Photo ID is required for entrance to the building.</p>
<p>To RSVP: <a style="font-family: verdana; font-size: 11px;" href="http://clivedavisdept.tisch.nyu.edu/object/matthewbarton">http://clivedavisdept.tisch.nyu.edu/object/matthewbarton</a></p>
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		<title>OPEN TO THE TISCH COMMUNITY- Jingle Punks: Making &amp; Selling Your Music</title>
		<link>http://clivedavisdepartment.com/2011/01/31/remujinglepunks/</link>
		<comments>http://clivedavisdepartment.com/2011/01/31/remujinglepunks/#comments</comments>
		<pubDate>Mon, 31 Jan 2011 17:24:42 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[alumni]]></category>
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		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1451</guid>
		<description><![CDATA[The Clive Davis Department of Recorded Music Tisch School of the Arts, New York University is proud to introduce JARED GUTSTADT, CEO of Jingle Punks the revolutionary online and iPad music licensing service for an intimate discussion and live session on MAKING AND SELLING YOUR MUSIC Friday, February 4th @ 4:15pm (doors open at 4:00)721 [...]]]></description>
			<content:encoded><![CDATA[<div style="font-family: Cambria; line-height: normal; font-size: small;"><a rel="attachment wp-att-1515" href="http://clivedavisdepartment.com/2011/01/31/remujinglepunks/jingle-punks-4/"><img class="aligncenter size-large wp-image-1515" title="Jingle Punks" src="http://clivedavisdepartment.com/wp-content/uploads/2011/01/Jingle-Punks1-731x1024.jpg" alt="Jingle Punks" width="439" height="614" /></a></div>
<div style="font-family: Cambria; line-height: normal; font-size: small;"><span style="font-weight: bold;">The Clive Davis Department of Recorded Music</span></div>
<div style="font-family: Cambria; line-height: normal; font-size: small;"><span style="font-weight: bold;">Tisch School of the Arts, New York University</span></div>
<div style="font-family: Cambria; line-height: normal; font-size: small;"><span style="font-weight: bold;"> </span><br /> is proud to introduce</div>
<div style="font-family: Cambria; line-height: normal; font-size: small;">
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 13px; margin-left: 0px; padding: 0px;"><span style="font-weight: bold;">JARED GUTSTADT, </span><span style="font-weight: bold;">CEO of Jingle Punks</span><br /> the revolutionary online and iPad music licensing service</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 13px; margin-left: 0px; padding: 0px;">for an intimate discussion and live session on<br /> <strong>MAKING AND SELLING YOUR MUSIC</strong></p>
</div>
<div style="font-family: Cambria; line-height: normal; font-size: small;"><span style="font-weight: bold;">Friday, February 4th @ 4:15pm</span> (doors open at 4:00)<br style="font-weight: bold;" /><span style="font-weight: bold;">721 Broadway, Dennis Riese Student Lounge</span>
<p> </p>
<p>Jingle Punks is a revolutionary online and iPad music licensing service. Its CEO, Jingle Jared has composed and provided music for many of the hottest shows currently on television (Real Housewives of Atlanta, Pawn Stars, The Kardashians and countless others). In this session, join Jared for a discussion about using the Mac and third-party audio products to create and sell original music for use in marketing and entertainment. Jared will share insights into what types of music are commercially viable and offer time-saving tips for working in a home studio.</p>
<p><span> </span>This is a free event for all Tisch students, faculty, and staff, and will be filled to capacity. You must RSVP to attend. There are no plus ones allowed. NYU Photo ID is required for entrance to the building.</p>
</div>
<div style="font-family: Cambria; line-height: normal; font-size: small;">To RSVP: <a href="http://clivedavisdept.tisch.nyu.edu/object/remujinglepunks">http://clivedavisdept.tisch.nyu.edu/object/remujinglepunks</a></div>
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		<title>OPEN TO THE NYU COMMUNITY: The NYC Screening of &#8220;Bouncing Cats&#8221;</title>
		<link>http://clivedavisdepartment.com/2010/12/16/curatingbouncingcats/</link>
		<comments>http://clivedavisdepartment.com/2010/12/16/curatingbouncingcats/#comments</comments>
		<pubDate>Thu, 16 Dec 2010 19:30:02 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[announcements]]></category>
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		<guid isPermaLink="false">http://clivedavisdepartment.com/?p=1414</guid>
		<description><![CDATA[The Clive Davis Department of Recorded Music Tisch School of the Arts, New York University FALL 2010 CURATING LIVE MUSIC EVENTS CLASS in collaboration with RED BULL MEDIA is proud to announce THE NYC SCREENING OF &#8220;BOUNCING CATS&#8221; A film by Nabil Elderkin &#38; Red Bull Media House WHERE: Eisner Lubin Auditorium @ NYU-Kimmel Center, [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-1415" href="http://clivedavisdepartment.com/2010/12/16/curatingbouncingcats/bouncingcats_promo/"><img class="aligncenter size-full wp-image-1415" title="bouncingcats_promo" src="http://clivedavisdepartment.com/wp-content/uploads/2010/12/bouncingcats_promo.jpg" alt="bouncingcats_promo" width="640" height="417" /></a>The Clive Davis Department of Recorded Music<br />
Tisch School of the Arts, New York University</p>
<p><strong>FALL 2010 CURATING LIVE MUSIC EVENTS CLASS<br />
</strong>in collaboration with<br />
<strong>RED BULL MEDIA</strong></p>
<p>is proud to announce</p>
<p><strong>THE NYC SCREENING OF &#8220;BOUNCING CATS&#8221;<br />
</strong><strong>A film by Nabil Elderkin &amp; Red Bull Media House</strong></p>
<p>WHERE: Eisner Lubin Auditorium @ NYU-Kimmel Center, 4th Floor<br />
WHEN: Thursday, December 16, 2010</p>
<p>7:00-8:00pm: Mingling &amp; Welcome Reception<br />
8:00-9:30pm: Screening<br />
9:30-10:15pm: Q&amp;A<br />
10:15-11:00pm: Closing Reception</p>
<p>This is a free event, and will be filled to capacity. You must RSVP via the online link below to attend.</p>
<p><strong>ABOUT THE FILM:<br />
</strong>Uganda has been called one of the worst places on earth to be a child. In the South, children face the threat of poverty and disease. In the North, these threats are enflamed by a brutal, mindless war inflicted by the Lord’s Resistance Army (L.R.A.) that has divided families, displaced millions, and led to the abduction and mutilation of tens of thousands of children resulting in the deterioration of identity and culture.</p>
<p>Bouncing Cats is the inspiring story of one man’s attempt to create a better life for the children of Uganda using the unlikely tool of hip-hop with a focus on b-boy culture and breakdance.  In 2006, Abraham “Abramz” Tekya, a Ugandan b-boy and A.I.D.S. orphan created Breakdance Project Uganda (B.P.U.). The dream was to establish a free workshop that would empower, rehabilitate and heal the community by teaching youth about b-boy culture. Based in Kampala, Uganda, B.P.U. has recently expanded to include permanent classes in Gulu, Northern Uganda.  Abramz teaches classes three times a week to hundreds of kids from all parts of the country. Many of the children are homeless, victims of war and poverty, and few can afford proper schooling yet they walk from miles away to attend the B.P.U. classes. As Abramz says, “This is where many people’s pride is. It’s a skill that no one can take away from us.”</p>
<p>Crazy Legs, one of the founding members of the world famous Rock Steady Crew, visited Uganda after receiving an invitation from Abramz to teach b-boy classes.  What he discovered upon his arrival was both heartbreaking and inspiring. Traveling throughout Uganda, from the southern slums to the war-torn North, Crazy Legs encountered a passion for hip-hop and desire to learn amongst the most squalid conditions.</p>
<p>Bouncing Cats follows Abramz, Crazy Legs, and Breakdance Project Uganda on a journey to use hip-hop culture for positive social change. The film features narration by Common and interviews with Mos Def, Will.I.Am, and K’Naan.</p>
<p>For more information about the film: <a href="http://www.bouncingcats.com/">http://www.bouncingcats.com/</a></p>
<p>TO RSVP: <a href="http://clivedavisdept.tisch.nyu.edu/object/curatingbouncingcats">http://clivedavisdept.tisch.nyu.edu/object/curatingbouncingcats</a></p>
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		<title>James Brown Class Rocks with Salaam Remi and Full Force</title>
		<link>http://clivedavisdepartment.com/2010/12/15/harryweingeronjamesbrownclass/</link>
		<comments>http://clivedavisdepartment.com/2010/12/15/harryweingeronjamesbrownclass/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 16:12:25 +0000</pubDate>
		<dc:creator>Clive Davis Institute</dc:creator>
				<category><![CDATA[announcements]]></category>
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		<description><![CDATA[  By ReMu&#8217;s Topics in Recorded Music: James Brown Professor, Harry Weinger: Folks, Holy Smokes. Seven weeks built to last night, a packed 2.75 hours with a recap of the course, some video clips and two surprise visits (above). Witnessing the night along with two dozen students was Douglas Wolk, author of the course text James [...]]]></description>
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<p><div class="wp-caption alignnone" style="width: 508px"><a rel="attachment wp-att-1355" href="http://clivedavisdepartment.com/2010/12/15/harryweingeronjamesbrownclass/hw_james-brown/"><img class="    " style="display: block; margin-left: auto; margin-right: auto; border: 0px initial initial;" title="hw_james brown" src="http://clivedavisdepartment.com/wp-content/uploads/2010/12/hw_james-brown-1024x680.jpg" alt="hw_james brown" width="498" height="330" /></a><p class="wp-caption-text">From l-to-r: Shy Shy, Paul Anthony, Salaam Remi, &amp; Bowlegged Lou</p></div>
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<p>By ReMu&#8217;s Topics in Recorded Music: James Brown Professor, Harry Weinger:</p>
<p>Folks,</p>
<p>Holy Smokes.</p>
<p>Seven weeks built to last night, a packed 2.75 hours with a recap of the course, some video clips and two surprise visits (above). Witnessing the night along with two dozen students was Douglas Wolk, author of the course text <em>James Brown: Live At The Apollo</em>, and Andre Torres, editor of <em>Wax Poetics</em> magazine.</p>
<p>Our final class featured surprise visits from hip-hop producer and James Brown fan Salaam Remi (second from right), and members of Full Force, the production-writing-performing team that gave James Brown his final chart smashes, &#8220;I&#8217;m Real&#8221; and &#8220;Static&#8221;; with Salaam above from left are Full Force&#8217;s Shy Shy, Paul Anthony and Bowlegged Lou.</p>
<p>Salaam detailed his fascination with James Brown records as one of his earliest memories; working with Nas to create &#8220;Get Down,&#8221; one of the most memorable uses of James Brown samples, among others; and revealing to the class some of his production secrets.</p>
<p>The Full Force crew richly and often hilariously recalled working with James Brown with love, grace and great songs while navigating his moods in one of the Godfather&#8217;s darker periods &#8211; and managing to give him two significant, long-lasting hits. They also dispensed clear career advice, noting how they have been able to keep working with a wide range of artists &#8211; from the Backstreet Boys to Nicki Minaj &#8211; through the industry&#8217;s hills and valleys.</p>
<p style="margin-top: 5px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding-top: 5px; padding-right: 0px; padding-bottom: 5px; padding-left: 0px; font: normal normal normal 12px/19px Verdana;">And this was a week after a fantastic talk by John Carlin (Red Hot, <a style="text-decoration: none; color: #0099cc; padding: 0px; margin: 0px; border: 0px initial initial;" href="http://funnygarbage.com/">funnygarbage.com</a>) and a drop-in from Charlie Midnight (”Living In America”). Previously we were visited by world-renowned bassist Christian McBride, a JB fan who previously directed Brown in a special Hollywood Bowl performance, and Alan Leeds, Brown&#8217;s former tour manager and publicist who is now the world&#8217;s pre-eminent JB discographer, and is the co-editor of the primary class text.</p>
<p style="margin-top: 5px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding-top: 5px; padding-right: 0px; padding-bottom: 5px; padding-left: 0px; font: normal normal normal 12px/19px Verdana;">Super bad, and on the good foot!</p>
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